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 <title>The Artist in American History</title>
 <link>http://www.darrenreidhistory.co.uk</link>
 <description>American History and Culture Through the Lens of Those Who Lived It</description>
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 <managingEditor>thathistorian@gmail.com (americanstudies)</managingEditor>
<category>Arts &amp; Entertainment</category>
 <pubDate>Sat, 12 Oct 2013 15:07:32 +0100</pubDate>
 <lastBuildDate>Sun, 13 Oct 2013 16:49:08 +0100</lastBuildDate>

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 <title>The Artist in American History</title>
 <link>http://www.darrenreidhistory.co.uk</link>
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 <description>American History and Culture Through the Lens of Those Who Lived It</description>
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 <itunes:author>Dr. Darren R. Reid</itunes:author>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist.jpg" />
 <itunes:owner>
 <itunes:name>americanstudies</itunes:name>
 <itunes:email>thathistorian@gmail.com</itunes:email>
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 <itunes:keywords>podcast</itunes:keywords>
 <itunes:explicit>No</itunes:explicit>
 <itunes:block>No</itunes:block>
 <itunes:subtitle>American History and Culture Through the Lens of Those Who Lived It</itunes:subtitle>
 <itunes:summary>In this podcast series historian Dr. Darren R. Reid explores American history through the lens of the artist.  From classic comics books to music and film, this podcast offers a series of lectures and documentaries which examine how art and artistry has reflected and informed the changing nature of the US.</itunes:summary>
 <itunes:category text='Arts &amp; Entertainment' />

<item>
 <title>The Story of SMiLE - The Beach Boys&#039; Lost Masterpiece</title>
 <link>https://americanstudies.jellycast.com/node/8</link>
 <description>In 1966, Brian Wilson led The Beach Boys into the studio to begin work on the follow up to the critically acclaimed album, Pet Sounds. What should have been the band&#039;s masterpiece turned into their biggest calamity as the SMiLE album unraveled and collapsed around them. In this podcast, Dr. Darren R. Reid takes a look at the recently released SMiLE Sessions to assess what may have been. Is this album the lost masterpiece of legend? Would it have secured the band&#039;s place alongside The Beatles?</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/18-1-lone-ranger-and-race.mp3" length="35118718" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 23:40:16 +0100</pubDate>
 <content:encoded>In 1966, Brian Wilson led The Beach Boys into the studio to begin work on the follow up to the critically acclaimed album, Pet Sounds. What should have been the band&#039;s masterpiece turned into their biggest calamity as the SMiLE album unraveled and collapsed around them. In this podcast, Dr. Darren R. Reid takes a look at the recently released SMiLE Sessions to assess what may have been. Is this album the lost masterpiece of legend? Would it have secured the band&#039;s place alongside The Beatles?</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/8</comments>
 <dc:creator>Dr. Darren R. Reid</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/8</guid>
 <itunes:subtitle>The Making and Unmaking of a Masterpiece</itunes:subtitle>
 <itunes:summary>In 1966, Brian Wilson led The Beach Boys into the studio to begin work on the follow up to the critically acclaimed album, Pet Sounds. What should have been the band&#039;s masterpiece turned into their biggest calamity as the SMiLE album unraveled and collapsed around them. In this podcast, Dr. Darren R. Reid takes a look at the recently released SMiLE Sessions to assess what may have been. Is this album the lost masterpiece of legend? Would it have secured the band&#039;s place alongside The Beatles?</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>the, beach, boys, smile, history, making, of</itunes:keywords>
 <itunes:duration>00:36:23</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
</item>
<item>
 <title>Is The Lone Ranger Racist? Disney and Race in 2013</title>
 <link>https://americanstudies.jellycast.com/node/7</link>
 <description>The Lone Ranger has been no stranger to controversy since its announcement. In this episode we will examine the finished product in order to see whether or not claims of racism directed at the movie are justified.</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/18-1-lone-ranger-and-race.mp3" length="35118718" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 16:14:50 +0100</pubDate>
 <content:encoded>The Lone Ranger has been no stranger to controversy since its announcement. In this episode we will examine the finished product in order to see whether or not claims of racism directed at the movie are justified.</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/7</comments>
 <dc:creator>Dr. Darren R. Reid</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/7</guid>
 <itunes:subtitle>Racism in The Lone Ranger</itunes:subtitle>
 <itunes:summary>The Lone Ranger has been no stranger to controversy since its announcement. In this episode we will examine the finished product in order to see whether or not claims of racism directed at the movie are justified.</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>disney, lone, ranger, racist, racism, native, american, indian</itunes:keywords>
 <itunes:duration>00:36:23</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
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<item>
 <title>Pink Floyd and the Cold War: British Band, American Focus</title>
 <link>https://americanstudies.jellycast.com/node/6</link>
 <description>In this episode we explore the resurgent Cold War of the 1980s through the music of Pink Floyd and their chief songwriter, Roger Waters. Starting with a critical overview of the 1983 album, The Final Cut, this episode explores how the Cold War transformed the band, moving them away from abstract ideas and vague protests into a more politicised realm with their music. Albums explored in this episode include The Final Cut, The Wall, A Momentary Lapse of Reason, and Roger Waters&#039; Radio K.A.O.S.</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/17-1-pink-floyd-and-the-cold-war.mp3" length="21503752" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 15:44:45 +0100</pubDate>
 <content:encoded>In this episode we explore the resurgent Cold War of the 1980s through the music of Pink Floyd and their chief songwriter, Roger Waters. Starting with a critical overview of the 1983 album, The Final Cut, this episode explores how the Cold War transformed the band, moving them away from abstract ideas and vague protests into a more politicised realm with their music. Albums explored in this episode include The Final Cut, The Wall, A Momentary Lapse of Reason, and Roger Waters&#039; Radio K.A.O.S.</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/6</comments>
 <dc:creator>Dr. Darren R. Reid</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/6</guid>
 <itunes:subtitle>Fighting the Cold War with Music</itunes:subtitle>
 <itunes:summary>In this episode we explore the resurgent Cold War of the 1980s through the music of Pink Floyd and their chief songwriter, Roger Waters. Starting with a critical overview of the 1983 album, The Final Cut, this episode explores how the Cold War transformed the band, moving them away from abstract ideas and vague protests into a more politicised realm with their music. Albums explored in this episode include The Final Cut, The Wall, A Momentary Lapse of Reason, and Roger Waters&#039; Radio K.A.O.S.</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>pink, floyd, cold, war, politics, history</itunes:keywords>
 <itunes:duration>00:22:18</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
</item>
<item>
 <title>Captain America&#039;s Racist Sidekick</title>
 <link>https://americanstudies.jellycast.com/node/5</link>
 <description>Captain America first appeared in 1940 but shortly after his introduction he was joined by sidekick team &quot;The Young Allies&quot; among whom was one of the most openly racist characters in superhero history. In this episode we explore how and why men like Jack Kirby and Stan Lee (creators of the X-Men, Fantastic Four, etc) helped to create such a piece of racist iconography.</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/15-1-Captain-America.mp3" length="24247214" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 15:34:33 +0100</pubDate>
 <content:encoded>Captain America first appeared in 1940 but shortly after his introduction he was joined by sidekick team &quot;The Young Allies&quot; among whom was one of the most openly racist characters in superhero history. In this episode we explore how and why men like Jack Kirby and Stan Lee (creators of the X-Men, Fantastic Four, etc) helped to create such a piece of racist iconography.</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/5</comments>
 <dc:creator>Dr. Darren R. Reid</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/5</guid>
 <itunes:subtitle>Captain America&#039;s Racist Sidekick</itunes:subtitle>
 <itunes:summary>Captain America first appeared in 1940 but shortly after his introduction he was joined by sidekick team &quot;The Young Allies&quot; among whom was one of the most openly racist characters in superhero history. In this episode we explore how and why men like Jack Kirby and Stan Lee (creators of the X-Men, Fantastic Four, etc) helped to create such a piece of racist iconography.</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>captain, america, whitewash, jones, sidekick, young, allies, racism</itunes:keywords>
 <itunes:duration>00:25:09</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
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<item>
 <title>The Man Who Laughs: A History of The Joker</title>
 <link>https://americanstudies.jellycast.com/node/4</link>
 <description>The second American Studies lecture again looks at classic American comic books, this time turning its attention on Batman&#039;s arch-nemesis, the Joker. Throughout his long career the Joker has been portrayed as everything from a Chicago-inspired gangster, to traumatised victim, and ruthless terrorist - in this lecture we explore how each of those images reflected huge social and cultural changes in America.</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/10-the-man-who-laughs.mp3" length="37040511" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 15:27:21 +0100</pubDate>
 <content:encoded>The second American Studies lecture again looks at classic American comic books, this time turning its attention on Batman&#039;s arch-nemesis, the Joker. Throughout his long career the Joker has been portrayed as everything from a Chicago-inspired gangster, to traumatised victim, and ruthless terrorist - in this lecture we explore how each of those images reflected huge social and cultural changes in America.</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/4</comments>
 <dc:creator>americanstudies</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/4</guid>
 <itunes:subtitle>A History of the Joker</itunes:subtitle>
 <itunes:summary>The second American Studies lecture again looks at classic American comic books, this time turning its attention on Batman&#039;s arch-nemesis, the Joker. Throughout his long career the Joker has been portrayed as everything from a Chicago-inspired gangster, to traumatised victim, and ruthless terrorist - in this lecture we explore how each of those images reflected huge social and cultural changes in America.</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>batman, comic, book, lectures, history</itunes:keywords>
 <itunes:duration>00:38:29</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
</item>
<item>
 <title>Gender in Classic Superman Comics</title>
 <link>https://americanstudies.jellycast.com/node/3</link>
 <description>Superman first appeared during the Great Depression in 1938 in a comic book which reflected the period&#039;s strong stereotypes against women. In this episode the first superhero comic will be given a scholarly reading and compared to its modern equivalent to show how America&#039;s self-image has changed over the past 70 years.</description>
 <enclosure url="https://americanstudies.jellycast.com/files/audio/9-up-up-and-away.mp3" length="23112900" type="audio/mpeg" />
 <pubDate>Sat, 12 Oct 2013 15:15:47 +0100</pubDate>
 <content:encoded>Superman first appeared during the Great Depression in 1938 in a comic book which reflected the period&#039;s strong stereotypes against women. In this episode the first superhero comic will be given a scholarly reading and compared to its modern equivalent to show how America&#039;s self-image has changed over the past 70 years.</content:encoded>
 <comments>https://americanstudies.jellycast.com/node/3</comments>
 <dc:creator>Dr. Darren R. Reid</dc:creator>
 <guid>https://americanstudies.jellycast.com/node/3</guid>
 <itunes:subtitle>How Classic Comics Reflect Our Changing World</itunes:subtitle>
 <itunes:summary>Superman first appeared during the Great Depression in 1938 in a comic book which reflected the period&#039;s strong stereotypes against women. In this episode the first superhero comic will be given a scholarly reading and compared to its modern equivalent to show how America&#039;s self-image has changed over the past 70 years.</itunes:summary>
 <itunes:explicit>No</itunes:explicit>
 <itunes:keywords>Superman, comics, history, study, lecture, golden, age</itunes:keywords>
 <itunes:duration>00:23:58</itunes:duration>
 <itunes:image href="https://americanstudies.jellycast.com/files/theartist_0.jpg" />
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